1906 E6 - Coraline Refort
Update: 2025-08-06
Description
Most of the picks from Coraline Refort, postdoc fellow at University of Sassari, offer exciting readings through the lens of feminism. But she also examines an animation milestone and a microcosm of film tricks up to 1906.
At University of Sassari, Coraline works on the national project “WOW – Women Writing around the Camera,” which focuses on mapping the autobiographical writings of Italian actresses. She holds a PhD in Film History from the University of Florence, in cotutelle with Sorbonne Nouvelle University, where her dissertation explored the French career of Alice Guy-Blaché.
Visit the5bestfilmsofeveryyearever.com/list to submit your own top five of 1906!
Films and resources mentioned:
At University of Sassari, Coraline works on the national project “WOW – Women Writing around the Camera,” which focuses on mapping the autobiographical writings of Italian actresses. She holds a PhD in Film History from the University of Florence, in cotutelle with Sorbonne Nouvelle University, where her dissertation explored the French career of Alice Guy-Blaché.
Visit the5bestfilmsofeveryyearever.com/list to submit your own top five of 1906!
Films and resources mentioned:
- Madame’s Cravings (1906) - Alice Guy-Blaché
- The Consequences of Feminism (1906) - Alice Guy-Blaché
- The Maids’ Strike (1906) - Charles-Lucien Lépine
- Humorous Phases of Funny Faces (1906) - J. Stuart Blackton
- The ? Motorist (1906) - Walter R. Booth
- The Birth, the Life and the Death of Christ (1906) - Alice Guy-Blaché
- Esméralda (1905) - Alice Guy-Blaché
- Nurses’ Strike (1907) - André Heuzé
- The Strike (1904) - Ferdinand Zecca
- Pauvre Pierrot (1892) - Émile Reynaud
- Steamboat Willie (1928) - Walt Disney
- The Wizard of Oz (1939) - Victor Fleming
- A Butterfly’s Metamorphosis (1904) - Gaston Velle
- The Boxing Cats (1894) - William K.L. Dickson and William Heise
- Race for the Sausage (1907) - Alice Guy-Blaché
- A Trip to the Moon (1902) - Georges Méliès
- The Impossible Voyage (1904) - Georges Méliès
- How It Feels to Be Run Over (1900) - Cecil Hepworth
- Cinema’s First Nasty Women
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