DiscoverThe John Batchelor Show28: 2. The Birth of The Tramp and Professional Confidence Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin arrived in America with the Carno group between 1910 and 1913. Stan Laurel noted his prodigious talent and abso
28:  2. The Birth of The Tramp and Professional Confidence Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin arrived in America with the Carno group between 1910 and 1913. Stan Laurel noted his prodigious talent and abso

28: 2. The Birth of The Tramp and Professional Confidence Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin arrived in America with the Carno group between 1910 and 1913. Stan Laurel noted his prodigious talent and abso

Update: 2025-10-26
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2. The Birth of The Tramp and Professional Confidence



Scott Eyman



Charlie Chaplin versus America: When Art, Sex, and Politics Collided



Chaplin arrived in America with the Carno group between 1910 and 1913. Stan Laurel noted his prodigious talent and absolute professional self-confidence. In 1914, Chaplin joined Max Sennett's Keystone studio, where he quickly created the iconic Tramp costume from wardrobe pieces, deliberately seeking visual contradiction. He soon demanded and received control to direct his own highly successful pictures. Despite his fame and early unsuccessful marriages, he remained extraordinarily shy in private life.

1917
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28:  2. The Birth of The Tramp and Professional Confidence Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin arrived in America with the Carno group between 1910 and 1913. Stan Laurel noted his prodigious talent and abso

28: 2. The Birth of The Tramp and Professional Confidence Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin arrived in America with the Carno group between 1910 and 1913. Stan Laurel noted his prodigious talent and abso

John Batchelor