3.12 Why were children and local guides better at seeing cave art than expert prehistorians before 1902? Part 3: Learning to See Nggwalndu and Paintings with the Abelam of Papua New Guinea

3.11 Why were children and local guides better at seeing cave art than expert prehistorians before 1902? Part 2: Ludwik Fleck, Thought Styles and Thought Collectives

3.10 Why were children and local guides better at seeing cave art than expert prehistorians before 1902? Part 1: Protagoras vs Plato, Episteme vs Doxa

3.9 David Lewis-Williams Part 3: A Temporary Death or A Foreign Life?

3.8 David Lewis-Williams Part 2: North American Shamanic Rock Art and Other Ways to Conclude Homo Sapiens is Homo Aestheticus

3.7 How 19th Century Shamans Gave the 21st Century a New Theory of Rock Art (With the Help of 20th Century Science)

3.6 Two Beginnings: A Standard History of Modern Cave Wall Art Studies

4.1 To Think, We Must Split up the World: A History of 20th Century Theories of Categorization

3.5 Deleuze and Guattari and Cave Art Part 2: Beyond Abstraction and Representation There Is a Cave, I’ll Meet You There

3.4 Deleuze and Guattari and Cave Art Part 1: Primeval Magma of Life and "Another history which is still ours [that operates like] fires answering one another in the night."

3.3 The Origin of Art or Homo Aestheticus? Part 2: A Japanese Mirror, The Aesthetic Mode of Consciousness, Homo faber, and Ochre

3.2 The Origin of Art or Homo Aestheticus? Part 1: Pareidolia, Hunter-Gatherer Mimicry, and the Assumptions Hiding in the Word "Art"

2.3 Was the Concept of Objectivity Invented in the mid-1800s? Part 3: Kant and Scientific Personae, Structural Objectivity and Trained Judgement

3.1 Prehistoric Animation and Proto-Cinema, The Archaeology of Light and Darkness, and the Thirty-Thousand-Year-Old Holy Movie Theatre

2.2 Was the Concept of Objectivity Invented in the mid-1800s? Part 2: Arthur Worthington's Tragedy, Photography, and Mechanical Objectivity

2.1 Was the Concept of Objectivity Invented in the mid-1800s? Part 1: Intro/Contextalization and Truth to Nature

1.31 The Four Dimensions of Reality and the Two Dimensions of the Canvas Part 5: "Retribalization" and The Art of the Electronic Age

1.30 Formal Cause Part 2: Chairs, Memes, Graham Harman, and Emergence

1.29 Formal Cause Part 1: Technological Determinism, Aristotle, Environments and Atmospheres, The Syrian Civil War, and T.S. Eliot

1.28 The Tetrad, Cliches, Archetypes, and...the Fifth Law of Media?