The moments in NICKEL BOYS that nod to 1958’s THE DEFIANT ONES are less direct citations than stylized invocations by director RaMell Ross, who incorporates a number of abstractions and flourishes into the film’s visual language. Chief among those stylistic gambits is the film’s use of first-person perspective, which kicks off our discussion of NICKEL BOYS’ uniquely textured take on Colson Whitehead’s Pulitzer-winning novel. From there we consider the deeper meaning and intent behind NICKEL BOYS’ use of visuals and audio from THE DEFIANT ONES, and where the two films overlap in their ideas about racial justice in the Jim Crow South and clashing philosophies of idealism and realism. Then our returning guest co-host Noel Murray offers a Your Next Picture Show recommendation for another social-issue film from the team behind THE DEFIANT ONES.

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