#68: Lucas Fournier on Building a Client Base Through YouTube, Avoiding Nightmare Clients and Tackling Remote Production Work

#67: 3 Mistakes I've Made in My Music Production Career

#66: Software I Use Every Single Day (Aside From My DAW)

#65: AI Mixing... Is This the End of Mix Engineers?

#64: Why I Love ITB Mastering

#63: Kara Greskovic on Building Camaraderie With Artists, Growing in a Music City and Staying Creative

#62: Charles-Henry Volk on Minimal Mixing Setups, Marketing The Old-School Way and Enabling Creativity as an Engineer

#61: The Problem With Mastering Studios

#60: How Much Should You Charge?

#59: Benjamin Wilson-Scott on Building the Perfect Production Space, Remote vs In Person Sessions and Approaches to Social Media

#58: Too Much Work On? Here's How to Avoid Feeling Snowed-Under

#57: 3 Things I Don’t Do as a Full Time Audio Professional

#56: How to Finish More Mixes

#55: I Got Caught up in a Scam

#54: The Music Industry is Broken (But here are some positives)

#53: How to Get Clients

#52: Are You Mixing Too Slowly? How to Speed up Your Workflow!

#51: 5 Things That Ruin a Perfectly Good Mix

#50: 3 Big Differences From When I Started Mastering to Now

#49: Owen Korzec on Communicating with Artists, Studio Workflows as a Multi-Instrumentalist and What Makes a Great Production