A Quartermaine Reality Show?
Update: 2025-01-31
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Steve and Bradford discuss the scenes with Jason and Sasha, the Cody factor, and whether the Quartermaine house would make a good location for a reality show. What do you think??
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Transcript
00:00:00
(upbeat music)
00:00:02
- It's the Daily Drama Podcast.
00:00:13
We're Steven Bradford, presented by DailyDrama.com.
00:00:17
Hey man, we haven't done one.
00:00:19
We haven't done one of these live in a couple of weeks 'cause we know what's going on buddy.
00:00:23
- It was so cool to share our two-parter with Leslie.
00:00:27
That was awesome like revisiting some of those stories, revisiting her sense of humor, revisiting her incredible life.
00:00:34
Yeah.
00:00:35
- I know.
00:00:36
- So, but so I hope you all enjoyed that kind of celebration, if you will.
00:00:43
But - Thank you.
00:00:45
- Yeah.
00:00:46
Lock going on the show, is there?
00:00:50
Well, as of today, we're recording this Thursday, as of yesterday, you had your hand on a woman's belly.
00:01:00
- Oh boy.
00:01:02
- Oh boy.
00:01:03
- Yes.
00:01:04
- Yeah.
00:01:05
- Well.
00:01:06
- So.
00:01:07
- So.
00:01:08
- Yes.
00:01:09
- Yes.
00:01:10
- So.
00:01:10
- Okay.
00:01:11
- And there's poor Cody in the bushes, popping out of the bushes.
00:01:15
- You know, it's funny.
00:01:16
- Hey, hit your damn hands off my cousin.
00:01:19
- Get your damn hands off her.
00:01:22
- He's so George McFly, it's so funny.
00:01:24
- Yeah.
00:01:25
- Get your damn hands.
00:01:28
That's my Crispin Glover impression.
00:01:30
- That's a may, that was pretty good actually.
00:01:31
- Crispin Glover, Crispin Glover?
00:01:33
Yeah.
00:01:34
- Yeah, Crispin Glover, yeah.
00:01:35
- What a strange fellow he is.
00:01:37
- That was a great, what a great mood.
00:01:38
What a great character.
00:01:40
- Oh my gosh.
00:01:41
- I mean, what a great character.
00:01:43
But yes, so Cody sees me, I guess, feeling Sasha's baby.
00:01:48
- What, what, what, what, what?
00:01:50
- Feeling what?
00:01:51
- Sasha's baby kick.
00:01:53
- Okay.
00:01:54
- And then Cody sees that and assumes something.
00:01:59
- Sure.
00:02:01
Well, it's funny, I read the spoilers last week, not knowing what was exactly coming.
00:02:05
And it said, Cody jumps to conclusions.
00:02:09
And I'd say, well it was, it was funny.
00:02:14
It reminded me of, I think it was, gosh, was it, was it office space where the guy was in the mentors, like I'm making a conclusions mat.
00:02:24
Like it said, you jump to conclusions.
00:02:28
It's a jump to conclusions mat.
00:02:30
- Well, sometimes we do that on soap operas, we jump to conclusions.
00:02:33
- Oh, do you?
00:02:34
- Yeah, then it's a bad version of the telephone game.
00:02:37
- Yes.
00:02:38
- And that seems to be what's happening.
00:02:41
- Well, someone else, someone else overheard, someone else overheard, and there's always someone lurking.
00:02:50
Like do we not look around when we're talking about certain things, like you know what I mean?
00:02:55
Like our proprioception, our vision of ourselves in our own space on soaps is a little off.
00:03:05
- It's way off.
00:03:06
- Way off.
00:03:07
- It's way off.
00:03:08
And you know, our directors would try not to make us, when we're talking and somebody has to over here, make us look stupid,
00:03:18
right?
00:03:19
Because sometimes they, they'll, you know, upstage, if we're downstage, upstage, like Cody, for example.
00:03:27
- Right.
00:03:28
- He was pretty much in my eye line.
00:03:34
- Yeah.
00:03:35
- Yeah.
00:03:37
- But there was no other way for him to see what he needed to see to get on the conclusion mat.
00:03:46
(laughs)
00:03:47
- So he could jump.
00:03:49
- Correct.
00:03:50
- Well, there was no way.
00:03:51
So, so if you notice in that scene, - Yeah.
00:03:55
- When I knew he was coming, I just kind of went, oh, that's nice.
00:03:59
So I did a little shift just so I wouldn't see, you know, but sometimes, you know, we can't, yeah.
00:04:07
We got to do what we got to do.
00:04:09
But I remember back when Maurice and I, we were, you know, we took our jobs very seriously and-- - Back when you did.
00:04:18
- Back when we did.
00:04:19
No, we still do, but back then it was live and die and breathe it daily, like-- - Of course.
00:04:24
- You know, and it was, if there was anything that wasn't real, we weren't doing it.
00:04:28
- You would problem solve it.
00:04:31
You'd just be like, figure it out or we're not coming in.
00:04:33
- Well, we have to figure it out.
00:04:34
We would probably would have fought that of seeing somebody in our peripheral that's supposed to be overhearing.
00:04:42
- Sure.
00:04:43
- You know, because usually there's a way to-- - Yeah, circumvent that, you know, but a lot of times people want a shot or whatever it is.
00:04:53
You know, we got to be a little more creative sometimes.
00:04:57
That's all.
00:04:57
- So you were trying to figure out a way, how can this person get this information without-- - Yeah, I wanted the director to be able to get, 'cause there was no other way, kind of.
00:05:04
That's the only place he could pop out of a center around the corner of the boat house.
00:05:09
You know, so obviously you're there to do your job and let the director get the shots they need, 'cause we're in the show.
00:05:18
- And you don't have the time anymore to really-- - No, you don't have the time to really problem solve that.
00:05:22
- Right.
00:05:23
- And it's like, okay, cool.
00:05:25
So I'll just turn down stage a little bit and go like that and go, hey, and then I then he sees it and he runs off.
00:05:30
- Right.
00:05:31
- You know, so-- - So it's talent, does he-- I wanted to tell the world.
00:05:35
I believe he shouts it from the rooftops of-- - Here, here, here, here, here, here, here, here, here, here, here, here, there.
00:05:44
- Just give him a couple beers and it's the one with bread.
00:05:46
- Oh, man.
00:05:48
- Oh, man.
00:05:48
- It's a-- - Oh, man.
00:05:50
- There'll be some-- - It's gonna be interesting.
00:05:52
- So what did you promise, Michael?
00:05:55
- I promise, Michael, I don't know where we are exactly, but-- - Well, but Michael's gone.
00:06:04
- Correct.
00:06:05
- Yeah, so-- - So-- - Anything that you would have promised him live would have aired.
00:06:09
- I know that, but-- - Got that.
00:06:11
- But I had a trip to talk to him.
00:06:13
So I don't know if I'm back yet from that trip.
00:06:17
Am I-- - To the German knee?
00:06:20
- Correct.
00:06:20
- Yes.
00:06:21
- Well, Valentin tried to choke out Brennan.
00:06:25
- Yeah, so anyway, listen, here's the thing.
00:06:28
Supposedly, Michael and Sasha had an agreement that he would let her raise the baby.
00:06:35
- Okay.
00:06:35
- Well, she-- - She told you yesterday she wants nothing to do with the quarter mains.
00:06:38
- Okay, great.
00:06:39
- So I'm just there right now while Michael's away to make sure the baby's fine.
00:06:44
- Okay.
00:06:45
- And she's like-- - And that's it.
00:06:46
- She's like, I want you to do the same thing, Michael, promise you would do.
00:06:50
Stay away.
00:06:52
- Pretty much.
00:06:53
- And I said, listen, I'm gonna be here, whether you want me to or not, if you need help.
00:06:58
And that's the bottom line.
00:06:59
- Well, she's like, just make sure the name on the check, just make sure the check's clear, but I don't want you near me.
00:07:06
Like, I mean, is she-- - Have we got it done?
00:07:08
- She doesn't want to even take money, really.
00:07:10
- Really?
00:07:11
- Yeah, she doesn't want to take money.
00:07:12
It's just me making sure she and the baby are okay if they need anything.
00:07:17
- Of course.
00:07:18
- Yes.
00:07:18
- Yes.
00:07:18
- Yes.
00:07:19
- Then you don't have to raise your hand, sir.
00:07:21
- Is she still the chef?
00:07:23
- She is.
00:07:25
- So she's gonna be working in the quarter main house.
00:07:30
- Correct.
00:07:31
- And the kitchen pregnant, making food for all the quarter mains.
00:07:36
- For now, I think, yeah, I mean, yeah.
00:07:38
- Carrying a quarter main baby, and she's like, I want nothing to do with any of you.
00:07:42
- Yeah, it's, I don't know, man, that's hard to believe.
00:07:46
- Well, I'm just trying to figure out what her best case scenario is.
00:07:49
Like, I got a good, solid job making grilled cheeses for the quarter mains.
00:07:54
I feel like I'm gonna amass a good nest egg for my baby.
00:08:01
- Let's put this in reality.
00:08:03
- Making money off of, like, it seems to me.
00:08:07
- Yes.
00:08:08
- Yes, you want the independence.
00:08:10
You don't want any quarter main, crazy quarter main stuff breathing down your neck.
00:08:15
I get that.
00:08:17
- Yeah, 'cause she did make a reference to how the quarter mains are trying to control Willow and her kids and stuff, at some point, I don't know.
00:08:25
- Sure.
00:08:26
- But, go ahead, sorry, I interrupted your train of thought.
00:08:31
- Well, I'm just saying, Willow's dug her own hole a little bit.
00:08:36
- Yes, she has, for sure.
00:08:39
- Right.
00:08:40
- So she's way different, no doubt about it.
00:08:43
- Yeah.
00:08:44
- So I'm doing all this to make sure that Michael doesn't lose his kids in a custody battle because of him and Sasha hooked up, and then it could be portrayed as the same as Willow did with Drew,
00:08:58
and it really wasn't, but it kind of was.
00:09:02
- It kind of was.
00:09:03
So he could lose while he's his other kid, right?
00:09:07
- I don't know.
00:09:08
His kids do.
00:09:09
- So, remember when Willow was, like, I don't know much about the character Willow, but I just know that the times that we interviewed Katie a bit,
00:09:21
Willow seemed like pretty on the level.
00:09:24
- Yeah.
00:09:25
- Is she, obviously she's made some bad choices with Drew, but is she out to, is she out to, like, are her intentions not great anymore?
00:09:36
Like is she, like, shifting?
00:09:37
- I think she's probably lost in the, in the, in the muck of what's going on.
00:09:42
- Yeah.
00:09:43
- And she's been engulfed by it.
00:09:44
- Yeah.
00:09:45
- I think she's thinking clearly, let's just say that.
00:09:48
- Okay.
00:09:49
- You know what I mean?
00:09:50
But let's go back to Sasha for a moment.
00:09:51
- Yeah.
00:09:52
- When you have a family like the quarter means, and we're assuming they, they're pretty wealthy family.
00:09:57
- Yeah.
00:09:58
- Yeah.
00:09:59
- We're assuming that they're fine financially, not, not in any other way, but financially.
00:10:07
- No.
00:10:08
I just, is this the typical story of we don't want the, the rich people's money and I want to make my own way and all this stuff,
00:10:22
like, I mean, is that really reality?
00:10:26
Is that, like, I mean, seriously, anyone, anyone watching this, like, hey, I'll take a, sure, it's a quarter main, like, give me some money,
00:10:36
help me, like, do I need to be cooking sandwiches?
00:10:41
Like...
00:10:42
- Right.
00:10:43
So...
00:10:44
- I can see, I can see people wanting to be independent 100%.
00:10:46
- Sure.
00:10:48
- But now that, I mean, nobody knows it's Michael's.
00:10:53
- Right.
00:10:54
So...
00:10:55
- Yeah.
00:10:56
- I think.
00:10:57
But...
00:10:58
- Yeah.
00:10:59
- But I'm saying, when it comes out, because eventually it's coming out.
00:11:01
- I would say so.
00:11:02
- Okay, so, so let's just say it came out.
00:11:05
- Okay.
00:11:06
- Is she going to refuse help still?
00:11:09
- Right.
00:11:10
Right.
00:11:11
Well, and then the, I mean, it all, a lot of it probably hinges on if Michael comes back, if and when Michael comes back, right?
00:11:19
- True.
00:11:20
- Yeah, that's true, yes.
00:11:21
- Whether Chad comes back or whether they decide to, you know, take the character in a different direction or whatever, you know, they might, they might table that story for when that character,
00:11:32
if and when they, do you know what I'm saying?
00:11:34
- Yeah.
00:11:35
- Absolutely.
00:11:36
I mean, I don't think they know whether Chad's coming back or not.
00:11:38
- Right.
00:11:39
And I don't think you tell that story unless you have a Michael, right?
00:11:43
- Yeah.
00:11:44
- Or maybe you do.
00:11:45
I don't know.
00:11:46
But, I mean, at the very least, I think what it does is it creates a, you know, it makes Sasha look like, even if she does end up getting money at the end,
00:11:58
it shows that she wasn't in it for the money, I'm not that she was in it for the money.
00:12:03
But like, you know what I mean?
00:12:04
- Yeah, I mean, look, we can, I guess you can analyze it, but my character when I first changed to Jason Morgan, I wanted nothing to do with them or their money.
00:12:16
- Was that, but that was, that was just, I mean, I'm young and I want to assert, like, right?
00:12:22
Or it had nothing to do with scruples, did it?
00:12:25
- No, I think it was more of just leave me alone.
00:12:28
I don't know you.
00:12:29
- Sure.
00:12:30
You guys are trying to force me back into a family that I don't know anybody.
00:12:33
- Right.
00:12:34
- And it was just too much and it was, just get away.
00:12:36
I don't want anything to do with what you guys have or represent or whatever.
00:12:40
- Right.
00:12:41
- So for Lila and Monica, really, you know, so it wasn't really the same, but I could see, you know, the independence that she wants and then what Jason wanted at the time of the independence of that.
00:12:58
So yeah.
00:12:59
Yeah.
00:13:00
Um, I wonder how this will affect Jason's dating life.
00:13:08
- What dating life?
00:13:10
- I'm just looking to get some things off the ground for you here and I'm not sure this is gonna help.
00:13:14
- I know, right?
00:13:16
Come on, man.
00:13:18
He's all over the place, dude.
00:13:20
- Yeah.
00:13:21
Well, and when this comes out, when Cody starts telling people, is Jason gonna have to like, that's gonna put Jason in a pretty tough bind,
00:13:33
because if it's not, if it's not his, if it's not his, well, then who is is it?
00:13:39
That's what people are gonna say.
00:13:41
Well, if it's not, if you want me to tune in is my, you're so dumb.
00:13:52
It's a, hey, it's a little, we're having a little baby jackal.
00:13:55
I'm sorry.
00:13:56
- I'm sorry.
00:13:57
- Maxie, I'm sorry.
00:13:58
- I saw, you know, we were at the Brown Dog one night and is that really a place?
00:14:04
- I think that's what it's called.
00:14:05
I don't know.
00:14:06
- Yeah.
00:14:07
- Where we met?
00:14:08
- That's where we met.
00:14:09
Michael showed me the video.
00:14:10
- Oh, when we were what?
00:14:11
Oh, of the nursery time.
00:14:13
- Yeah.
00:14:14
Yeah, yeah.
00:14:15
So, I think it's the Brown Dog.
00:14:17
- The Brown Dog?
00:14:18
- Okay, that's right.
00:14:19
- Yeah.
00:14:20
So, you know, so do you have it a baby jackal, huh?
00:14:22
- Well, I mean, we have a big house, a lot of kids, it's probably not as big as the quarter means.
00:14:28
- That's sure that's how it works, but okay.
00:14:30
- I make the sandwiches.
00:14:32
- You're pulling, you're pulling an Elon Musk, have all the baby mamas live in the same house.
00:14:37
- Zoikes.
00:14:38
- There you go.
00:14:39
- Yeah.
00:14:40
- So, they're living their best life over there.
00:14:43
- Well, that, that sounds interesting to you.
00:14:48
That sounds interesting about what's going to happen with Jason and just.
00:14:52
- I mean, the quarter means got a lot of people living in there, buddy.
00:14:56
- Dude.
00:14:57
- It feels like a reality show, really, is what it feels like.
00:14:59
- It would be.
00:15:00
- Yeah.
00:15:01
- That wouldn't be a bad idea, actually.
00:15:06
That seems like something that we could maybe do on a soap opera is like a fake-- - We could do a reality show within the reality show.
00:15:13
- A fake reality show.
00:15:15
Maybe they've already done that.
00:15:16
That sounds like kind of a, could be and be thing a little bit.
00:15:19
- Yeah, it is a little bit, but you could have a, you know, it could be to the point where it, like, you know, the quarter means are losing all their money and they have to do a big brother-esque show and then it becomes the most popular thing in the world and they're back on top.
00:15:34
- Keeping up with the quarter means?
00:15:36
- There you go.
00:15:37
- Yeah.
00:15:38
- What?
00:15:39
- Pretty much.
00:15:40
- Yeah.
00:15:41
All right.
00:15:42
Well, so, Carly and Brennan are in Germany.
00:15:49
Being tries to kill Brennan, I read something about a shooting where, because Lulu, Anna feels bad talking to Lulu because Charlotte,
00:16:01
I guess, got nicked during a shooting.
00:16:05
- Yeah.
00:16:06
Anna, Anna, shot her by accident.
00:16:08
- No.
00:16:09
- Like, not recently.
00:16:10
No.
00:16:11
It's in the past.
00:16:12
- Oh.
00:16:13
- So, that's what they're talking about.
00:16:15
That has this, has been carrying this guilt of shooting Charlotte forever.
00:16:20
That's why she wants to, that's why she wanted to help Valentin.
00:16:23
That's why she wanted to help Charlotte.
00:16:25
So that's kind of her driver is this guilt.
00:16:28
- But Charlotte recovered.
00:16:30
- Yeah.
00:16:31
- She's fine.
00:16:32
- Yeah.
00:16:33
- That's why I keep telling her, "Hey, she's alive.
00:16:34
You're fine.
00:16:35
- She's fine.
00:16:36
- Move on.
00:16:37
- You know?
00:16:38
- Let it go, Anna.
00:16:39
- Let it go.
00:16:40
- Water under the bridge.
00:16:41
- Right.
00:16:42
- Let's follow.
00:16:43
- She's fine.
00:16:44
- She's fine.
00:16:46
- So are you, so I know I've helped a little bit.
00:16:50
How much are you helping trying to get Charlotte back?
00:16:54
- Um, I'm trying, we're just kind of waiting.
00:16:58
You know, there's no leads at this point.
00:17:00
So we're just kind of, you're, I've called you a few times.
00:17:03
And I've told Anna a few times to, "Hey, Spinelli's got an alert.
00:17:07
That if anything comes up, we're going to find out, but really there's not a lot, a lot going on."
00:17:12
- Wow.
00:17:13
- You're welcome, everybody.
00:17:15
I'm on the case.
00:17:16
- You're welcome.
00:17:17
- You're welcome.
00:17:18
- You're welcome.
00:17:19
- All right.
00:17:20
Well, watch this space as they say.
00:17:23
Well, keep watching the show.
00:17:26
Everybody.
00:17:27
Thanks for being here.
00:17:28
It's good to kind of catch up and I think we're going to try to get a guess for next week.
00:17:35
I guess that, I guess that really wants to be with us.
00:17:39
- Really?
00:17:40
- Rather than us soliciting anybody else.
00:17:44
- Who's that?
00:17:45
- Volunteer.
00:17:46
Volunteer, I guess.
00:17:47
- Wow.
00:17:48
I like it.
00:17:49
I like to hear it.
00:17:50
All right.
00:17:51
