Ahead of the Oscar nominations, we discuss one of the most acclaimed films of 2024, writer-director Payal Kapadia’s All We Imagine as Light.

We talk about the film’s bittersweet exploration of urban loneliness and the migrant experience, its depiction of Mumbai, and Kapadia’s command over tone. We also talk about the bold mid-movie pivot and how it affects the narrative.

Later, we discuss the film’s Oscars omission and the disrespect that it has been shown by the Film Federation of India.

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