Join Tamara for an interview with Sharon Norwood, a conceptual artist whose work spans several media to include painting and ceramic. She was born in Jamaica, then raised in Canada, before moving to the US to earn BFA and MFA degrees in art & painting from schools in Florida.

Sharon's work investigates the ways in which race, gender, and cultural identity shape our perceptions of ourselves and other people. In her work the curly line becomes a metaphor for the “black body." She is an active educator and lecturer, and her work is part of public collections at notable institutions such as the Gardiner Museum, Washington & Lee University Museums, The Telfair Museums, and The National Museum for Women in the Arts.

Check out Sharon's work and follow her here:

https://sharonnorwood.com/

https://www.instagram.com/sharonnorwoodartist/ 

Topics in their chat include:

Sharon and other family members emigrated from Jamaica to Canada when she was about 9 years old, which plunged her into a period of muteness; getting her BFA and MFA degrees after an early career in graphic design; a "controversially famous" poet uncle; how her time at art school began with her trying to get better at painting realistic portraits, but because she was then the only student concerned with mixing colors for painting dark skin tones, her work immediately became tagged as "political" or "about race," when that wasn't even her intention; so her work then became an examination of *that* phenomenon; how many porcelain tea sets are luxury items; her group show in 2019 at Laney Contemporary; her great practice of traveling around the US and Canada for artist residencies; and a recent installation she did in the drawing room at the Owens-Thomas House, in which she also incorporated sound.

Tune in and get all the details!