Editor - Dan Lebental ACE

BEVERLY HILLS COP: AXEL F editor Dan Lebental not only took on the daunting task of bringing back a beloved character that audiences haven't seen in thirty years, but he did it with one hand.  The other was working simultaneously on another Bruckheimer blockbuster, BAD BOYS: RIDE OR DIE.  With the help of his long-time assistant, Dawn Michelle King, and his trusty "embedded sound design" workflow, Dan was able to pull off making both films in fine style.

BEVERLY HILLS COP: AXEL F sees the titular hero return to Beverly Hills to aid his adult daughter after her life is threated when she gets too close to a crime ring being investigated by Axel's old friend, Billy Rosewood.

Editing BEVERLY HILLS COP: AXEL F

In our discussion with BEVERLY HILLS COP: AXEL F editor Dan Lebental, we talk about:

• When an editor works both sides of the street
• Nailing the nostalgia notes
• Doing a deeper dive on embedded sound design
• Taking a logical look at the script
• Defining the 80's style of filmmaking

The Credits

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Hear Dan talk about his work on; SPIDER-MAN: FAR FROM HOME, ELF, BAD BOYS FOR LIFE and DUNGEONS & DRAGONS.

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