Pushed to the side and rarely credited for her architectural work at Davis Brody, Phyllis Birkby became a significant figure in extending the lesbian women's movement to architecture during the 1970s. Her environmental fantasy workshops played a crucial role in galvanizing the community, providing a creative and empowering space within a male-dominated profession. 

Growing out of other consciousness raising techniques, freed up in her classes, Phyllis released the rigor of her conventional training to get down on the floor,  and lead the group in sketching their fantasies however outlandish on giant rolls of butcher paper. She encouraged the women to imagine architecture above, below, and beyond the norm. 

Birkby's work not only contributed to architectural discourse but also fostered a sense of collective identity among lesbian architects, highlighting the intersectionality of gender, sexuality, and professional identity in the field. In her later years, she focused on architecture for people marginalized in other ways – by addiction, by age, and by disability, again imagining spaces of community and support.

This episode was produced by Brandi Howell for New Angle Voice, a podcast from Beverly Willis Architecture Foundation. Thanks to host Cynthia Phifer Kracauer. Thanks also to Alexandra Lange for editorial advising. Special thanks in this episode to Stephen Vider, MC Overholt, Gabrielle Esperdy, Matthew Wagstaffe, Leslie Kanes Weisman and the Smith College Special Collections.  Funding from the New York State Council on the Arts.  

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX.

kitchen@kitchensisters.org