A few more Frenchies this week as we hit peak romance for September’s theme of EUROPEAN VACATION and when it comes to French New Wave, today’s discussion is amongst the most infamous. Jean-Luc Godard’s 1960 international hit “BREATHLESS” helped set a standard in style at a time when the filmgoing world was hungry for more international flair. Like a few other movies we cover this month, it represents a distinct point in the global recognition of European film. The chemistry between Jean Seberg & Jean-Paul Belmondo is out of this world. Belmondo’s character of Michel sees it too. He calls Seberg’s Patricia a martian at one point. A romance so bright that it makes you forget that you’re watching a crime movie and that this dude is a car thief who killed a cop. They’re not fated to be together but we can still revel in the feelings they have for one another. Living. Dying. They look cool either way. A lot has been said about this iconic film and the ease of Belomndo’s performance and the shine of Jean Seberg. With Seberg it’s hard not to speak of her tragic life that our tax dollars helped destroy. Look that shit up. Here’s a link to the film: https://archive.org/details/breathless-1960

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