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Update: 2025-05-23
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    Before her new neighbors move in, Raylene hires an escort (Voodoo) to help assuage her loneliness. She begins the encounter with a glass of , and then takes her Portuguese friend upstairs to her bedroom for a raucous romp. Raylene begins with some fine cock sucking and then Voodoo makes her writhe uncontrollably as he tongues her clit and nibbles on her labia. The two eventually move through a few positions before Voodoo finally pops on her stomach.
    When a couple moves in next door, Raylene discovers their artistic inclinations as well as their hot and cold relationship. Tony plays a quasi-famous alcoholic poet while his wife/girlfriend (Adajja) is a sculptor. Not long after moving in the two have an argument which oddly progresses into a sex scene; Raylene climbs on her roof to get a better look. Adajja begins by going down on Tony's shaft before climbing on the kitchen table for some spoon action, and I'm not talking about silverware. Next, Tony works a blue dildo in and out of her ass while she rides him in a cowgirl position. From missionary, Tony eventually pulls out an coats Adajja's abdomen with a showering of man juice.
    One day Tony brings home a sampling of local girls (Nicole Sheridan, Wendy Divine, and Dayton) to hear a first hand reading of his poetry. Afterward, Nicole pairs off with Adajja in the backyard while Wendy and Dayton get aquatinted in the kitchen. The action cuts between both pairings providing a nice variety of girl/girl content. For example, while Dayton works away on Wendy's ass with a dildo, Nicole is busy tonguing Adajja while working some fingers into her ass. Both couplings are quite good featuring four astute girl/girl performers.
    In the movie's most unique (and impressive) segment, the reclusive Raylene uses one of Adajja's discarded busts (of Tony's torso) as a source of visual stimulation during a masturbation session. There's something unusually erotic about the way she talks to the sculpture while working four fingers into her pussy. She even attempts to suck the statue's exaggeratedly large cock but is only able to get her lips about half way around the head. While her mouth is too small, her bulbous tits seem to do the job as she wrap's them around the large ceramic shaft for an improvised titty fuck. She finally gets the opportunity to fuck the real Tony at the end of the movie, but their interaction isn't anywhere as interesting as Raylene's seductive play with the sculpture. However, Tony manages to give her a real facial, unlike the imaginative one she pretends she receives from her ceramic lover.

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