In this episode, we sit down with cinematographer and director Shannon Vandivier to discuss his work on the Life Time Grand Prix series "Call of a Life Time." Shannon shares his journey into the world of filmmaking and storytelling, influenced by his father's career as a photojournalist. He explains how he approaches the editing process as a second director and the importance of having a clear vision for the story. Shannon also delves into the challenges of filming off-road racing events and the strategies his team employs to capture the essence of each race. He highlights the importance of building trust with the athletes and creating a connection that allows for vulnerability and authentic storytelling. Throughout the conversation, Shannon emphasizes the goal of the series: to showcase the dedication and inspiring stories of off-road athletes and to foster a sense of fandom within the community.

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About the Guest(s):

Shannon Vandivier is a cinematographer, director, and camera operator based in Austin, Texas. With a passion for storytelling and a background in photography, Shannon has honed his skills in capturing powerful imagery and using it to tell compelling stories. He started his own company in 2013 and has since worked with notable clients such as Netflix, BBC, and PBS. Shannon's work can be seen in various projects, including the Lifetime Grand Prix series "Call of a Lifetime."

Key Takeaways:

• Shannon Vandivier's passion for storytelling and capturing powerful imagery stems from his father's career as a photojournalist.
• The editing process in filmmaking is akin to being a second director, and it requires a clear vision for the story.
• Filming off-road racing events presents unique challenges, and Shannon's team employs various strategies to capture the essence of each race.
• Building trust with the athletes is crucial for creating authentic and vulnerable storytelling.
• The goal of the Lifetime Grand Prix series "Call of a Lifetime" is to showcase the dedication and inspiring stories of off-road athletes and foster a sense of fandom within the community.

Notable Quotes:

• "The power of editing comes with a clear vision. You don't know how your story is changing unless you know what your story is." - Shannon Vandivier
• "The bike has always been the vehicle to fun. And as I've matured through life, I've continued to stay on the bike." - Shannon Vandivier
• "The reality is, editing is second directing. The power of editing comes with a clear vision." - Shannon Vandivier

Resources:

• Shannon Vandivier's website: shannonvandivier.com
• Lifetime Grand Prix series "Call of a Lifetime" on YouTube: youtube.com/lifetime

Automated transcription, please excuse the errors:

[TRANSCRIPT]
[00:00:00 ] - ():  Craig Dalton (host): Welcome to the show. How you doing, man?
[00:00:04 ] - ():  Shannon Vandivier: Man, I'm glad to be here. I'm glad to be with you.
[00:00:07 ] - ():  Craig Dalton (host): I'm excited to have this conversation. It's probably a, an outlier. If I think back to the catalogs of conversations I have, it's usually athletes, event organizers, and event producers. So you're my first cinematographer, director, camera guy.
**** - (): Super excited to have this conversation. Cause I think a lot of us have seen your work in Certainly Lifetime, uh, Call of a Lifetime Season 1, which followed the Lifetime Grand Prix. But after looking at your website, I think there's probably a bunch of other things that we've probably seen of you over
[00:00:41 ] - ():  Shannon Vandivier: the years.
**** - (): Thank you. Well, maybe, maybe not. It depends. Uh, it's a big world out there. There's a lot of content, but I certainly am honored, you know, um, to be your first. Uh, camera nerd and a storyteller on your podcast. So for those of you listening who are hoping to learn anything about power numbers or Watts or course design, uh, you will be disappointed.
**** - (): Uh, but if you want to learn about storytelling and how incredibly, um, challenging it has been, and at the same time, rewarding, um, to spend a year at this point, two years with all the top off road athletes, um, in North America and now also internationally. You're in the right spot and I will, I will tell all right now.
**** - (): I'm
[00:01:26 ] - ():  Craig Dalton (host): excited to get into some of those challenges. Shannon, just to set the stage, where, where are you located and what's your relationship been to the bike?
[00:01:36 ] - ():  Shannon Vandivier: Um, let's see here. Most I'm 36 years old, born in 87 and, um, I was born here in Austin, Texas. I'm currently in Austin, Texas. Um, it's a great base camp and we have good airport hub.
**** - (): So I've never found an excuse to leave other than maybe my draw to the mountains. Um, and so, you know, like most nineties kids, like the bike was the vector to get around the neighborhood, and it's always been about. Um, for me, the bike has always just been the vehicle to fun. And as I've kind of matured through life, I've continued to kind of stay on the bike.
**** - (): Um, mountain biking to me, um, has become my favorite way to process. Even before this podcast, I went and spent an hour on the bike, just getting into a bit of a flow state and just getting my mind channeled in the right way. I do a lot of my riding, um, believe it or not. Use voice memos for that. But a lot of my thinking and processing on the bike, um, as it specifically rates, relates to call of a lifetime.
**** - (): But yeah, I think the bike is certainly a relevant character in my life. Um, and definitely was the reason why I was even interested in, um. Dipping my toe, which, which turned into diving off into the deep end, um, of creating content and storytelling in this space.
[00:03:01 ] - ():  Craig Dalton (host): How did you find your way to a camera in the first place?
[00:03:04 ] - ():  Shannon Vandivier: Ah, now that's a good question. So my dad was a photojournalist, and I grew up in a house that was covered in, um, film negative slides. And slideshow reels, and the smell of rolled film in the freezer as you were like sifting through to go find your toaster strudels or whatever. Um, and so like, I think I was five when my dad stuck his first hand me down in my hands.
**** - (): He would like sit me on the curb and as cars drove by, you know, I would earn new rolls of film if I got like cars in focus as I panned with him going by. I remember that specifically as a memory. And yeah, just, you know, my dad is, I've always been against flying, uh, airline travel. We always road tripped everywhere and we were always going somewhere.
**** - (): So I spent a lot of time traveling the world. Um, and controversially, I think I was like 12, 13 years old, you know, when my dad was taking me on shoots with him that maybe were like considered conflict zones, like still don't know, but like in, um, in a really unique way, I had a father who just really was passionate about using a lens to tell stories.
**** - (): He was a still photographer and, um, from a young age, he was just passionate about teaching me the power of the lens and the power of creating imagery and using that imagery to capture a moment in time that tells an important story. And as a journalist, um, you know, he saw himself as a responsible party and keeping politicians accountable and, um, corporations accountable.
**** - (): And he's. He still, to this day, um, heartbreakingly, probably, sees journalism as the means at which we keep society on track, um, and the truth in, in the public square. And so I've always had a value for storytelling in that context. And um, And yeah, and through, through certain life circumstances, I think I've particularly given an empathetic, um, perspective on life.
**** - (): Um, and you know, I, we had a tragedy in my family. I, we lost my youngest brother when I was nine and. Um, you know, there were some hard years there, but where, where it landed me was, um, man, life is special, and there are some really important stories to be told, and it's really important, um, and I love the idea, I should say this, I love the idea of a camera, and, um, and a lens being the vector to creating an introspective revelation in somebody, right?
**** - (): And it's this really unique thing That camera and storytelling and filmmaking can do, right? It can compress time in a way where we feel like we can learn a life's worth of lessons from somebody else in 90 minutes or 30 minutes. Um, and I, and sometimes that feels like magic to me. Um, of course we don't have the scar tissue of experience to ingrain those life lessons and anchor into our life, but at the same time, they can, they can be seeds.
**** - (): That will one day maybe blossom. And so, um, I saw it through my father growing up. I saw how his imagery impacted people. And, you know, I, I always, I always respected that. And I'm really proud that I get to follow. In a sense, my dad never did any filmmaking, but I get to follow in his footsteps. And, um, and so that's kind of what led to me to where I am now.
**** - (): I started my company back in 2000 and 13 and started Get to play with real clients in 2016, um, I