José Miguel Palacios on Transnational Cinema Solidarity: Chilean Exile Film and Video after 1973

Caroline Fowler on Slavery and the Invention of Dutch Art

Anna LaQuawn Hinton on Refusing to be Made Whole: Disability in Black Women's Writing

Tavia Nyong'o on Black Apocalypse: Afrofuturism at the End of the World

Danielle Roper on Hemispheric Blackface: Impersonation and Nationalist Fictions in the Americas

Amber Jamilla Musser on Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined

Philip Janzen on An Unformed Map: Geographies of Belonging between Africa and the Caribbean

Doyle D. Calhoun on The Suicide Archive: Reading Resistance in the Wake of French Empire

Therí Alyce Pickens on What Had Happened Was

Jessie Cox on Sounds of Black Switzerland: Blackness, Music, and Unthought Voices

Devin Bryson and Molly Krueger Enz on Projections of Dakar: (Re)Imagining Urban Senegal through Cinema

Jody Benjamin on The Texture of Change: Dress, Self-Fashioning, and History in Western Africa, 1700-1850

Sandhya Shukla on Cross-Cultural Harlem: Reimagining Race and Place

Laura Helton on Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History

Mary Hicks on Captive Cosmopolitans: Black Mariners and the World of Atlantic Slavery, 1721-1835

Souleymane Bachir Diagne on Open to Reason: Muslim Philosophers in Conversation with the Western Tradition

Benjamin Barson on Brassroots Democracy: Maroon Ecologies and the Jazz Commons

Bryan Sinche on Published by the Author: Self-Publication in Nineteenth-Century African American Literature

Jenny Shaw on The Women of Rendezvous: A Transatlantic Story of Family and Slavery

Nana Osei-Kofi on AfroSwedish: Places of Belonging