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Why are the heads, crowns, and hands of magnificent Tang Dynasty Chinese tomb figurines so startlingly bare compared to their brilliantly colored bodies? This is an excerpt from my gallery talk "Coloring the Past" in the Art Institute of Chicago from March 9, 2017. This recording comes complete with all the juicy, unscripted, live-action museum gallery accents of background chatter, beeping proximity alarms, and echoing reverb. Please forgive the poor sound quality. Terms: sancai, glaze, funerary, earthenware, ceramic, polychromy, pigment, paint, sculpture, Buddhism, Taoism, Confucianism.

Gallery Talk: Coloring the Past (American Sign Language-interpreted)

Art Institute of Chicago

March 9, 2017

"How does our modern lens shape the way we see ancient works of art? Explore the use, meaning, and manufacture of color in ancient art with museum educator Lucas Livingston. This gallery talk will be interpreted in American Sign Language."

Image:


Armored Guardian King (Tianwang) Trampling Demon

China, Tang dynasty (AD 618–907)

First half of 8th century

Earthenware, glaze, and pigment

Art Institute of Chicago, 1970.1069

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