The Evidentiary and the Black Body

Creole in the Archive

Connoisseurship and the Work of Naming

Fashion and the Construction of Race

Curating History and Race

“Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking

"A Critique of What Art Can Do”: Jennifer Nelson on Undoing Mastery

“To Give Shape to a Way of Seeing the Past”: Shira Brisman on the Intimacy of Writing the History of Social Art

“The Magic Art of Framing”: Alexander Nemerov on Writing History and Making a World

"On Living Archives": Tsedaye Makonnen on Collaboration and Black Performance Practices

"Attention Becomes a Kind of Politics": Sarah Hamill on Sculpture and Interpretation

“Shifting Focal Points”: Sergei Tcherepnin on Sonic Attention

“What ‘Minor' Histories Allow Us to See”: Donette Francis on Writing African Diaspora

"I Never Start with Nothing": Mary Lum on Collage and Constructed Geographies

“An Outward-Looking Model”: The Future(s) of the University and Higher Education in a Digital Age with Koenraad Brosens and Blake Stimson

“What are Our Important Questions?”: Collaboration and Interdisciplinarity in a Digital Age with Jacqueline Francis and Susan Elizabeth Gagliardi

“To Make Visible the Structures”: Challenging the Canon, Digital and Beyond, with Niall Atkinson and Min Kyung Lee

“Distance and Criticality”: The Digital Humanities and the Potential for Art History Scholarship with Hubertus Kohle and Emily Pugh

“Directed Towards How We See Ourselves”: Social Art History in a Digital World with Paul B. Jaskot and Barbara McCloskey

“A Mechanism for Survival”: McClain Groff on nibia pastrana santiago’s NO MORE EFFORTS