Conversation with Timothy Chooi
Update: 2020-10-27
Description
Timothy and I reflect on how we dealt this pandemic and the lockdown.
- what we missed during this time
- what new things we discovered that were not related to music
We discuss practice routines
- preparing for competitions
- daily practice routines
- amount of time and breaks
- scale practice routines
Preparing for competitions
- concerto selection
- acquiring stamina
Recording oneself
- audio and video
- knowing your threshold
Comfort with speaking to the audience
- learning the are of vocally speaking and connecting
What is required learning for major Intl. Violin Competitions
- repertoire
- what happens each day of the event and each round
- Hanover versus Queen Elizabeth
- environment of the competitors
- conditioning for solo playing versus orchestral playing
- Orchestral auditions versus Solo competitions
Timothy’s violin
- how he procured his Strad
- his plan for a future violin
- modern violins?
- pairing of violin and violinist
- del Gesu versus Strad
Timothy’s influences
- Zukerman
- Sarah Chang
- Oistrakh and Ivry Gitlis
- modern day soloist and concerto
His approach to playing Bach
- historical versus the modern versions
- equipment (instrument and bow) and the influence on Bach
- vibrato and Bach
Timothy’s evolving relationship to music
- as a child
- as a career
- within the current situation... discovery
Social media
- violin forums
- connecting with audiences
If Timothy wasn’t a musician???
What is the last piece of music that Timothy listened to?
- classical and non-classical
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