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We sit down with Nashville powerhouse Anastasia Brown—music supervisor, consultant, and author—to chart the moments that reshaped her career and helped reshape the city’s relationship with film and television. From her early days as a manager, the Bluebird Cafe revelation that led to signing Keith Urban to his first record deal; Anastasia shows how conviction, curiosity, and grit can lift you to new career heights.
 
 We unpack the real Nashville: a ten-year town for artist development  because of the density of talent and the apprenticeship needed for  songwriting. Anastasia explains how sync licensing became her pivot as mechanical royalties for record sales fell, why authentic archival recordings can save a budget without shortchanging writers, and what it takes to spot an artist before the market does. We talk frankly about songwriter pay, the realities of streaming royalties, and the practical ways supervisors and producers can protect value for the people who create the songs. If you’re searching for artist development, music supervision strategy, sync licensing, Nashville music scene, or songwriter rights, this conversation delivers an insider’s view.
 
 The episode also moves into leadership and resilience. Anastasia shares how women in Nashville pushed through outdated norms, the mentors who opened doors, and her goal to build a self-sustaining scoring industry in Music City—highlighted by recording The Shack with a 74-piece orchestra at Ocean Way. Finally, she opens up about her own loss and purpose, launching “There Are No Words, But We Have A Few” to give grieving parents a community and a voice.
 
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Many thanks to Anne Tello for her vocals on the theme song and to our sponsor 'Heard City'.

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