Not too much plot to cover in parts 5 and 6; mostly we're hashing out our final thoughts on the book and Dostoevsky's legacy.

First up is the controversial epilogue. The boys are not sure how believable Rodya's redemption is. It feels kinda cheap? Dostoevsky is not very good at character development but maybe it doesn't matter. Sonya is a perfectly implausible character who exists only as a sort of a prop for Rodya. How on earth does Dosto have a reputation for writing realistic characters? Again, it prob doesn't matter.

Svidrigailov sneaks up on us as perhaps the most interesting (or at least the most underrated) character in the book. We talk about the three incredible scenes that bring his journey to an end: kidnapping Donya, the feverish hotel dream, and the dramatic exit.

Finally quite a bit of discussion about whether Dostoevsky is actually any good as a thinker. Rich is not sold: the critique of utilitarianism is unfair, blind deference to tradition leaves no room for progress, and God has been pretty neatly replaced by secular humanism. Benny pushes back and adds some nuance to the problem Dosto was trying to describe, and Cam talks about how he still feels the tension between nihilism and common-sense morality.

Don't miss the surprise guest appearance from Cam's manager. Is this the week he gets busted? will he live to skive off another day?? Tune in now to find out.

CHAPTERS

• (00:00:00 ) intriguing and important discussion on different translations (do NOT skip)


• (00:13:15 ) Epilogue: Raskolnikov speedruns character development


• (00:36:03 ) Sonya character analysis


• (00:42:21 ) how realistic are dostoevsky’s characters?


• (00:49:24 ) Svidrigailov meets his twisted end


• (01:06:46 ) Are dostoevsky’s philosophical ideas actually any good


• (01:17:26 ) Commonsense morality, nihilism and metaethics

SHARE YOUR THOUGHTS:

We wanna start reading listener feedback out on the pod, so send us a note at douevenlit@gmail.com to correct our bad takes or share your own. 

NEXT ON THE READING LIST:

Candide — Voltaire

A Farewell to Arms - Ernest Hemingway