DEDICATION AND A WORD FROM THE DIRECTOR OF THE DENVER ART ASSOCIATION

BOOK I - THE GENERAL PHOTOPLAY SITUATION IN AMERICA, JANUARY 1, 1922

BOOK II - THE UNCHALLENGED OUTLINE OF PHOTOPLAY CRITICAL METHOD / CHAPTER I - THE POINT OF VIEW

CHAPTER II - THE PHOTOPLAY OF ACTION

CHAPTER III - THE INTIMATE PHOTOPLAY

CHAPTER IV - THE MOTION PICTURE OF FAIRY SPLENDOR

CHAPTER V - THE PICTURE OF CROWD SPLENDOR

CHAPTER VI - PATRIOTIC SPLENDOR

CHAPTER VII - RELIGIOUS SPLENDOR

CHAPTER VIII - SCULPTURE-IN-MOTION

CHAPTER IX - PAINTING-IN-MOTION

CHAPTER X - FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION

CHAPTER XI - ARCHITECTURE-IN-MOTION

CHAPTER XII - THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE

CHAPTER XIII - HIEROGLYPHICS

BOOK III. MORE PERSONAL SPECULATIONS AND AFTERTHOUGHTS NOT BROUGHT FORWARD SO DOGMATICALLY / CHAPTER XIV - THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP

CHAPTER XV - THE SUBSTITUTE FOR THE SALOON

CHAPTER XVI - CALIFORNIA AND AMERICA

CHAPTER XVII - PROGRESS AND ENDOWMENT

CHAPTER XVIII - ARCHITECTS AS CRUSADERS