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 From drumming in Apathy to running Bands for Bands Entertainment, Elan Schwartz has made the leap from the stage to the promoter's chair. He’s booked everything from unknown locals to big-name nationals—and seen all the rookie mistakes along the way. We talk about what bands need to get booked, why most don’t have an EPK, and what really makes a promoter take notice. If you're trying to get shows, don’t skip this one. 

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