We all say it: “It’s muddy.” “Needs glue.” “Give it more space.” But what does that actually mean in practice? In this episode, we translate the most common mixer speak into specific moves you can make today, then answer a listener question on adding space without using reverb.

You’ll Learn:

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  Where “mud” actually lives (150–200 Hz for many sources, 250–500 Hz for mix buildup)

  
  


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  What “glue” really is (bus compression, shared ambience, subtle EQ)

  
  


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  How to create space without reverb: panning, subtractive EQ, smart delays

  
  


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  The difference between stems and multitracks (and when to send which)

  
  


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  Why “musical EQ” and “vibe & character” are real, even if you can’t meter them

  
  

Topics & Stories:

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  Muddy vs boomy vs woolly (and why tiny cuts move mountains)

  
  


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  The smiley-face EQ era: why it sounded great… until it didn’t

  
  


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  Depth, width, and density: front/back/left/right as arrangement tools

  
  


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  “Crush the drums”: parallel, ceiling/floor, and when distortion equals energy

  
  


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  Filtering the send into a delay for cleaner “felt, not heard” space

  
  


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  Stems vs multitracks: live tracks, post, and keeping the “makeup” on

  
  


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  The “depth” pronunciation debate, dad jokes, and a drum “skin head” moment 🤦‍♂️

  
   
  Huge thanks to Audient Audio for supporting the show 👉 https://audient.com
  
  

Listener Q&A:
How do I add space without reverb?
Our go-tos:

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  Panning first, then subtractive EQ (150–200 Hz and 2–8 kHz real estate)

  
  


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  Slapback or short stereo delays you feel more than hear

  
  


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  High-pass/low-pass the send feeding the delay for natural results

  
  

Final Takeaway:
Great mixes aren’t just louder or brighter, they’re organized. Give each element its own frequency lane and its own spot in the panorama, then use tiny bus moves to make the whole song breathe together.

 👉 Got a question for us?
📩 Submit it here: Form Link
We’ll answer as many as we can in upcoming shows.