King Arthur stands astride the intersection of history, myth, legend, and politics.  In every age of the history of Britain, he is reinterpreted for new audiences and new purposes.  When composer Henry Purcell and poet-librettist John Dryden set out to write their opera about Arthur, they did so following a century in which England had seen monarchs rise, fall, be beheaded, exiled, returned in triumph, and driven out in disgrace.  King Arthur takes place not in Camelot, but in a world of clashing cultures and ideals.  Arthur finds his Britons beset by Saxon invaders, but after his victory, he is able to lead as both peoples transition from fighting one another, to become a stronger people together.

Join us for a close look at this fascinating work or art, and enjoy (in English, of course!) Dryden’s poetry and Purcell’s rich and tuneful music.

Hosted by Pat with guest co-host Gerald Malone.

Gerald Malone’s website, TheRestIsOpera.com is brimming with commentary on opera productions that he has seen around the world, and “scuttlebutt” about opera from a suspiciously well-informed little dog. Gerald Malone is also the Opera Critic of ReactionLife, a UK-based online current affairs and cultural publication.