Technically, John Williams' follow-up to "None But the Brave" is a war film, as it deals with the U.S.-Soviet animosities during the Cold War, but it really is nothing more than pure slapstick comedy that stoops low but still strives to aim high. "John Goldfarb Please Come Home" takes the real-life incident of Francis Gary Powers crashing his U2 plane and makes lowbrow comedy out of it. What results is a low point in Shirley MacLaine's movie career, but a great effort by John Williams in his 10th film. The music in this film relies heavily on arranging the orchestra to create a Middle Eastern flavor, with some 60s punk sprinkled on top. Williams uses many musical styles throughout the film, from a quiet love theme to Keystone Kops-style antics. A major milestone of the film concerns the title song, which marks the first song co-written by Williams to appear in a theatrical film. Host Jeff Commings analyzes Williams' contributions to the film, and the court battle that nearly derailed the film's release.