Episode 150 - Rhetorical Fireworks
Description
It is 403 BCE and we’re about to be blinded by some rhetorical fireworks. The situation between Rome and Veii is getting more serious.
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Episode 150 – Rhetorical Fireworks
We’ve Got Chills, They’re Speechifying!
As the Romans prepare for a long siege, the suggestion was casually made that the soldiers will need to remain in winter quarters. The Romans were not used to being in the field this long and the tribunes of the plebeians were immediately suspicious. Is this why military pay had just been introduced? To distract the people whilst forcing them to live in a state of slavery? Outrageous. Nonetheless, this is what the plebeians get when they keep electing patricians into office.
One of the military tribunes decides to hit back at the tribunes with their own epic speech. Who better for the task than the uber-patrician Appius Claudius? Let’s watch those rhetorical fireworks fly!
Appius’ speech, with its’ mixture of conservatism and logic, is so effective that he wins some of the people over. As everything hangs in the balance, word reaches Rome of a serious setback at Veii. A sneaky night attack led to all the Roman siege equipment being destroyed by fire and some of the soldiers had died trying to extinguish the blaze.
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Aule Metele (The Orator). A hollow-cast bronze showing an Etruscan male known as Aulus Metellus or Aule Metele in Roman-style clothing, dated to early 1st century BCE.. While this figure is not from our time period, the combination of Etruscan and Roman culture and the speechifying aspect of this statue seemed appropriate! Courtesy of https://www.collegesidekick.com/study-guides/boundless-arthistory/later-etruscan-art
This disaster tips the balance in favour of Appius’ arguments. Patricians and plebeians put their differences aside so that they could focus on the war effort. Those Etruscans were asking for it!
The senate no longer had to worry about whether the people were on board regarding winter service. Romans from various backgrounds were throwing themselves at the senate, begging to be allowed to go to war.
Who knew that war could make people so happy? That’s the Romans for you!
Please Sir. I Want Some… More?!
Camillus, one of the Furii clan, makes his debut in this year as one of the censors. In order to pay for some of these new expenses, the censors introduced some new taxes on unmarried men and …orphans. Way to be harsh, Rome!
Our Players 403 BCE
Military Tribunes with Consular Power
- M’. Aemilius Mam. f. M. n. Mamercinus (or Mamercus) (Pat) Cos. 410, Mil. Tr. c. p. 405, 401
- L. Valerius L. f. P. n. Potitus (Pat) Cos. 392, Mil. Tr. c. p. 414, 406, 401, 398
- Ap. Claudius P. f. Ap. n. Crassus Inregillensis (Pat) Cos. 349 ?
- M. Quinctilius L. f. L. n. Varus (Pat)
- L. Iulius Sp.? f. Vopisci? n. Iullus (Pat)
- M. Furius – f. – n. Fusus (Pat)
- ? M. Postumius (Pat)
- ? M. Furius L. f. Sp. n. Camillus (Pat) Mil. Tr. c. p. 401, 398, 394, 386, 384, 381
- ? M. Postumius A. f. A. n. Albinus Regillensis (Pat) Mil. Tr. c. p. 426
Censors
- M. Furius L. f. Sp. n. Camillus (Pat) Mil. Tr. c. p. 401, 398, 394, 386, 384, 381
- M. Postumius A. f. A. n. Albinus Regillensis (Pat) Mil. Tr. c. p. 426
Our Sources
- Dr Rad reads Livy, ab Urbe Condita, 5.1-5.7.
- Dr G reads Plutarch, Life of Camillus, 1-3; Valerius Maximus 2.9.1; Diodorus Siculus, 14.35.1.
- Bradley, G. 2020. Early Rome to 290 BC (Edinburgh University Press).
- Broughton, T. R. S., Patterson, M. L. 1951. The Magistrates of the Roman Republic Volume 1: 509 B.C. – 100 B.C. (The American Philological Association)
- Cornell, T. J. 1995. The Beginnings of Rome: Italy and Rome from the Bronze Age to the Punic Wars (c. 1000-264 BC) (Taylor & Francis)
- Forsythe, G. 2006. A Critical History of Early Rome: From Prehistory to the First Punic War(University of California Press)
- Lomas, Kathryn (2018). The rise of Rome. History of the Ancient World. Cambridge: Harvard University Press. doi:10.4159/9780674919938. ISBN978-0-674-65965-0. S2CID239349186.
- Ogilvie, R. M. 1965. A Commentary on Livy: Books 1-5 (Clarendon Press).
Sound Credits
Our theme music was composed by the amazing Bettina Joy de Guzman
Automated Transcript
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