This is the second half of my recent conversation with author Doug Reside, whose fascinating new book is titled Fixing The Musical — How Technologies Shaped the Broadway Repertory.

Today, Doug shares with us how cast recordings, movie versions, and even illegal bootlegs on YouTube have shaped the American musical as an art form and defined the Broadway repertory as we know it.

If you missed part one you may want to catch up with that before listening to this one.

And of course, many listeners to this podcast will know Doug from his day job as Curator of the Billy Rose Theatre Division at the NYPL for the Performing Arts. Reside joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He has published and spoken on topics related to theater history, literature, and digital humanities, and has managed several large grant-funded projects on these topics. He holds a PhD in English from the University of Kentucky.

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