“Nice beaver.” / “Thanks, I just had it stuffed.  Join Ian & B-Tech Kev for our 290th episode as we suit up, slip up, and dive headfirst into the gloriously ridiculous world of The Naked Gun (1988). We’re trading time-travelling dystopias for banana peels, police files, and a barrage of visual gags as we discuss:

• In slapstick, how silly is too silly? Is there a line—or is the whole point to obliterate it with a steamroller and a tuba?


• Kev shares stories from his recent trip to New York City: the sights, the sounds, and whether each of us are New York or Los Angeles people


• Ian talks about the return of the weight game and how this is a summer of inward reflection


• Ian also shares some personal stories about his father—and how certain films like The Naked Gun carry more than just laughs; they carry memories.


• We explore Leslie Nielsen’s genius—how his straight-faced absurdity became the gold standard for parody.


• Can a film this silly still resonate in today’s comedy landscape? Or is this brand of humour an extinct species?


• Do background jokes, blink-and-you’ll-miss-it sight gags, and tightly wound chaos make this more than just a spoof—Does it become precision parody?


• Baseball anthems, the Queen in peril, exploding toilets, and a police officer with the worst undercover skills in cinematic history.


• And finally, whether The Naked Gun is the Best Film Ever—or just a walk down memory lane

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