DiscoverArtists Telling StoriesFake News and Truth, Faith and Irony: Jay Tolson Discusses the Big Questions of our Culture
Fake News and Truth, Faith and Irony: Jay Tolson Discusses the Big Questions of our Culture

Fake News and Truth, Faith and Irony: Jay Tolson Discusses the Big Questions of our Culture

Update: 2022-05-27
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Jay Tolson says, following T.S. Eliot, that "in my beginning is my end." And what an end, one that has led him to see art's power to connect us to one another through a shared reality.

He began as an undergraduate studying cultural and intellectual history and after a long career in journalism at US News and World Report, the Wilson Quarterly, and Radio Free Europe, he was asked by the University of Virginia's Institute for Advanced Studies in Culture to serve as editor of The Hedgehog Review. Although he has returned to his origins, his work at The Hedgehog Review brings cultural study to a markedly higher (and sane) level.

Jay discusses with us his meeting Peter Pomerantsev, author of Nothing Is True and Everything is Possible, and This is Not Propaganda, two books that recount the author's exposure to the fabricated reality that has become the Putin regime in Russia, but which has also spread across the globe, notably in the West, and into U.S. politics.

For Tolson and Pomerantsev, the destabilizing information sector (as opposed to journalism, a discipline that strives to reveal truth), creates a culture that proclaims private or alternate "truths" and seeks to undermine the very idea that truth exists. Hence, the labeling as "fake news" organizations that once could be trusted as seeking truth in reporting. Such destabilization, exacerbated by social media monopolies and app designers, makes it impossible to create norms for what can be considered civil or hateful discourse. A pursuit of truth, then, gives way to the entertaining endorphin highs that social media creates.

Tolson goes on to discuss his work on Walker Percy, not only his award-winning biography, Pilgrim in the Ruins, but Percy's work as an ironist, an irreducible and mysterious human characteristic. As a man of faith and an ironist, Percy followed his philosophical mentor, Soren Kierkegaard, who joins faith and doubt, the inescapable existential predicament of any person of faith, even Mother Theresa!

But it's Percy's idea of connection through symbols that most excites Tolson, not only the everyday symbols that we share in language, but also the symbols of art, science, poetry, and novels. Art connects us to one another in an awareness that we are not alone, that we share (an often difficult and sad) reality, but a reality that exists beyond each of us and is itself capable of sharing. In this way, artists, scientists, and, yes, journalists move toward a better approximation of truth and reality. Clearly, this endeavor is itself hopeful.

A journalist, editor, author, and critic, Jay Tolson covered religion, culture and ideas for U. S. News & World Report after working for more than decade as the literary editor and editor of the Wilson Quarterly. He served as the news director of Radio Free Europe/Radio Liberty in Prague, Czech Republic, directed the French to Africa service of the Voice of America, and launched the Global News Network for

Artists Telling Stories Podcasts feature the stories of artists and the art of stories. We seek the personal stories of artists—their journeys—and the impact of their art on their own well-being and on those who encounter their work.

As the language of humanity, art tells stories of inspiration, hope, and healing even as it acknowledges the hurt and despair that afflicts us all.

Hosts Edward Dupuy and Gene Beyt draw out our human stories in the hope that in their telling, artists will offer a new story of humanity for you, the listener.

Learn more at StudioAesculapius.com.

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Fake News and Truth, Faith and Irony: Jay Tolson Discusses the Big Questions of our Culture

Fake News and Truth, Faith and Irony: Jay Tolson Discusses the Big Questions of our Culture

With hosts Edward Dupuy and Gene Beyt