The third episode turns to the short stories of Henry James, looking in particular at ‘The Aspern Papers’ which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama. Mark and Seamus discuss the emergence of the short story at the end of the 19th century, and how certain features of the form – its attachment to unresolved endings, its debt to the dramatic monologue – can be found in James’s own stories, along with his other major themes, such as the tortured relationship between the public and private, and the experience of Americans in Europe.

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