Hornnotes 67: All Things Assistant Horn

Horn Notes 66: Fundamentals -- Vibrato and Various Extended Techniques

Horn Notes 65: Fundamentals -- Transpositions, Bass Clef, Key Signatures, Sight Reading

Horn Notes 64: Fundamentals -- Lip Trills, Stopped, and Muted Horn

Hornnotes 63: Fundamentals -- Accuracy, Endurance, and Concentration

Hornnotes 62: Fundamentals -- Slurring, Tone Quality, Ranges, and Dynamics

Hornnotes 61. Fundamentals: Breathing, Embouchure, and Articulation, and a Unified Theory of Everything

Hornnotes 60: Fundamentals -- Posture, Fingerings, Intonation, and More

Hornnotes 59: Your horn and the Music it Wants to Play, Transposition, and Intuitive Musicianship

Hornnotes 58: Bad Horns, Bad Ears, and Bad Loud Dynamics

Hornnotes 57: A look at Carl Geyer and his horns

Hornnotes 56: Updating the University of Horn Matters

Hornnotes 55: Remembering an embouchure change and other playing challenges

Hornnotes 54 -- Stories involving Giardinelli mouthpieces and more

Hornnotes 53 -- Better Mouthpiece = Better Accuracy

Hornnotes 52 -- Pushing horn practice too far

Hornnotes 51 -- Is it time to retire Kopprasch?

Hornnotes 50: Let's Talk about Till and Farkas

Hornnotes 49: Kruspe, Geyer, etc., Part II

Hornnotes 48: Pro tips on getting back into ensemble rehearsals