Theater has been central to the formation of Palestinian national consciousness for almost a century. One of the foremost Theater troupes active today is Betlehem’s al-Harah. Before summer of this year, the visited Sweden’s Tribunalen theater, touring their play Meramieh (Sage), a powerful staging of a number of personal testimonies of al-Nakba. 

Earlier this year Samuel Carlshamre had the honour of recording an episode with Nicola Zreineh and Marina Barham from al-Harah Theater, live on stage. The conversation ranged from the conditions of theater under occupation and genocide, the educational and artistic challenges confronting Palestinian art today, to Palestinian identity as a source of pride and inspiration, as well as a cage and a constraint. 

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