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The long, narrow, glass-walled studio of Janice Mehlman is perched half way up the steep garden of her home, on a hillside near Pietrasanta.

Many of her abstract photographs are hung on crisp white walls, and she welcomes us inside to look at some of her work from the last 30 years. She explains how she started as a photographer, focusing on black-and-white images of architecture. After creating an image that captured a chance moment of light on a discarded photographic proof in her waste bin, she started to incorporate objects into her compositions. 

She shows us her workbench, where she finds inspiration. When light from the window shines in, it illuminates a cornucopia of materials in every colour and texture. We see swimwear, hats, netting and fluorescent wrapping – all glittering in the morning sun.

Janice explains how her work has evolved over the years, particularly in relation to her exploration of her sensuality and sexuality as a woman. She talks about using her own intimate garments and other objects to create compositions that reflect her inner soul.

She also recounts how her work has responded to different experiences, such as the Covid-19 pandemic and shows us a few pieces from that series.

We hear how she was inspired by a disastrous trip to Chicago to create one of her most acclaimed series of work, choosing to find the positive even in adversity.

janicemehlman.org

instagram.com/janicemehlman