Joe Boyd has had many job descriptions over the course of his nearly sixty-year career in music, and there was simply no way to cover everything in this conversation. That said, Paul and Joe focus on Boyd's important new book, And The Roots of Rhythm Remain: A Journey Through Global Music, and themes of cultural cross-pollination in music, the birth of hip hop and ska, the reason Hitler spared the life of virtuoso Roma guitarist Django Reinhardt, what happened with Nick Drake, and Boyd's phenomenal earlier book, the memoir, White Bicycles: Making Music in the 1960s. 

As a music producer, Boyd has delivered records by Nick Drake, Pink Floyd, R.E.M., Taj Mahal, Fairport Convention, Richard and Linda Thompson, Sandy Denny. He tour-managed European dates for Muddy Waters, Sister Rosetta Tharpe, and was a production manager at the 1965 Newport Folk and Jazz Festivals, before flying off to open Elektra Records' UK office in London where he and John Hopkins opened the UFO club, giving a psychedelic home to Pink Floyd and others. 

In 1971 he moved to Los Angeles to work for Warner Brothers Films (Deliverance, A Clockwork Orange, and the documentary Jimi Hendrix). In 1979, he worked for Lorne Michaels' film company, Broadway Pictures, and the following year, launched his own label, Hannibal Records, releasing works by John Cale, Richard Thompson and more, while bringing global artists such as ¡Cubanismo!, Toumani Diabaté, Ali Farka Touré, Trio Bulgarka, and Songhai, to western audiences.

The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.