Welcome to Kevin Can Podcast Himself, your dedicated after-show podcast for AMC’s newest series, Kevin Can F**K Himself!

<figure id="attachment_2989" aria-describedby="caption-attachment-2989" style="width: 2560px" class="wp-caption aligncenter"><figcaption id="caption-attachment-2989" class="wp-caption-text">Photo Credit: Jojo Whilden/AMC</figcaption></figure>

This week, Caroline and Mike break down Episode 2, “New Tricks”!  The second episode of of Kevin really starts to move forward the show’s plot. Some things we’re discussing this week: Why doesn’t Allison just leave? Is Allison invisible to others around her or are others invisible to Allison? What Sitcom Tropes were explored (and skewered) this episode? And what does that end of Episode TWIST mean for the show going forward?

Then, stayed tuned for our exclusive Interview with series property master, Joshua Meltzer. The role of prop master is an important one on a TV show that you’ve maybe not thought about before. Josh talks to us about his long career, the role of prop master, surviving Covid-19, how working on Kevin Can F**K Himself is different than other jobs he’s had, and So Much More!

Time Code for Start of Interview with Joshua Meltzer: 54:55

Guest Bio: Joshua Meltzer

Joshua Meltzer has been keeping actors’ hands full for over forty years. His career spans everything from Who’s the Boss to Kevin Can F**K Himself. In between, Joshua has worked on such TV staples as Night Court, Dinosaurs, Reno 911, Will & Grace, and Dexter, to name a few.

FOLLOW JOSH ON INSTAGRAM | FOLLOW ZENWOOD DESIGNS | SHOP ZENWOOD DESIGNS

 

 

We hope you join us for a discussion of of Kevin Can F**K Himself on our Facebook Group, Kevin Can F Himself Fans! We’d love to hear from you!

WATCH AND INTERACT WITH KEVIN CAN F**K HIMSELF:

AMC+ | AMC | Twitter Account

MORE IN THIS SERIES:

Trailer | 1

FOLLOW THE HOSTS ON TWITTER:

Caroline | Mike

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Credits:

Music:

“My Favourite Sitcom” by Michael Adels, licensed by Pod Clubhouse.

This podcast was recorded in Pod Clubhouse Studios and edited by Caroline Daley and assembled by Michael Caputo.