Most performers I know have all had one of those anxiety filled nightmares of finding yourself on stage on opening night, with no idea what the play is about, who your character is, or what your lines are. So it is a special kind of masochist who would willingly put themselves in exactly that situation.

Nadine Garner and Fayssal Bazzi are two such masochists. They are about to take on Iranian writer and theatre maker Nassim Soleimanpour's new play: ECHO: Every Cold-Hearted Oxygen. Each night a new performer takes to the stage not knowing what is going to be asked of them. Unrehearsed and deliberately unprepared, the script becomes their only guide as they journey through the story of the playwright, connected live from his home in Berlin. ECHO is an invitation to consider what home means to each of us. Fusing new technology with the oldest tricks in the book, this is an ambitious, magical and profound production where no one travels yet everybody is present.

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