American composer Missy Mazzoli joins us from her home in New York for this latest episode of Composing Myself. It’s a customarily broad-ranging chat with Wise Music CEO Dave Holley and Creative Director Gill Graham. Topics on today’s conversational menu include Missy’s childhood obsession with Beethoven and learning to play on a piano bought in a flea market, how writing made her feel like she was “putting the world in order”, getting stuck in to the Pennsylvania Riot Grrrl scene as a teenager, her long-standing collaboration with librettist Royce Vavrek, and how the COVID-19 pandemic impacted the creation of her most recent opera The Listeners.

https://missymazzoli.com/

Recently deemed “one of the more consistently inventive, surprising composers now working in New York” (NY Times) and “Brooklyn’s post-millennial Mozart” (Time Out NY), Missy Mazzoli has had her music performed by the New York Philharmonic, Atlanta Symphony, the Philadelphia Orchestra, the BBC Symphony, the Cincinnati Orchestra, the National Symphony, LA Opera, Scottish Opera, eighth blackbird, Kronos Quartet and many others. In 2018 she became one of the first two women, along with Jeanine Tesori, to receive a main stage commission from the Metropolitan Opera, and was nominated for a Grammy award in the category of Best Classical Composition. From 2018-2021 She was Composer-in-Residence at the Chicago Symphony Orchestra, and from 2012-2015 was Composer-in-Residence with Opera Philadelphia. Upcoming commissions include works for Opera Philadelphia, Chicago Lyric Opera, Norwegian National Opera and Third Coast Percussion. In 2016, along with composer Ellen Reid, she founded Luna Composition Lab, a mentorship program for young female, nonbinary and gender nonconforming composers. Her works are published by G. Schirmer. 

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