The doll with purple ribbons appears strange. The androgynous mixed being seems to float in space as though directed by an invisible hand. For the first time in Klees work a humanlike figure is shown as a marionette, a motive which in his later work gained great importance. The doll behaves according to her own rules of play. Completely weightless she floats between the violet ribbons. The feet no longer function and since she no longer has any use for them, in their place two hands have grown. Glass painting was widely spread in central Europe from the sixteenth century; Votive paintings, biblical displays and peasant scenes were produced in their thousands as a winter occupation for large farming families and bought by peddlers. Klee bought several pictures at the Auer Dult market in Munich. Also Franz Marc and Wassily Kandinski were preoccupied with this technique, although unlike Klee not for the sculptural experimental characters, but more for the study of peasant traditions. From Klee there are 64 glass paintings known today. These actually pose a conservational challenge since their colour layers stick very badly to the smooth glass surface.