Paul Messink's multilayered kilnformed glass panels draw the viewer into an ethereal and ghostly landscape that represents the uncertainty of life and its myriad directions. Transforming a painting, an historically two-dimensional art form, into a three-dimensional scene with depth and perspective, Messink poses questions about choices and pathways via scenes obscured and enhanced by the mystery of fog and mist.

Frequently asked if a photograph has been embedded in his layers of glass, Messink actually creates his imagery by applying glass enamels and fusing. The artist creates depth by layering the glass, diminishing the size and color of his subject matter, and manipulating texture and translucence. Messink typically uses between nine and 12 layers of glass that are kilncast into one solid panel.

Formerly an IT project manager in Chicago, Messink is currently based out of Palm Desert, California, with studios in both Palm Desert and the nearby Coachella Valley Art Center in Indio, California. While mostly self-taught, workshops of artists such as Susan Taylor Glasgow, Richard LaLonde, Mark Salsbury, Annette Baron, and Don Schneider helped him refine and advance his technique. Messink now teaches his process around the country to other artists and kilnworkers looking for more expressive approaches in glass.

Messink was awarded "Best in Glass" in the 2012 and 2014 Royal Oak Clay, Glass and Metal show, Royal Oak, Michigan, and was awarded "Multi-Media Artist of the Year" in the Art Comes Alive 2013 competition, Cincinnati, Ohio. In 2014 he received a category award in The Glass Prize 2014, sponsored by Warm Glass UK, and was also awarded "Best in Show" at GATHERING: Contemporary Glass from the Heartland, sponsored by the Indiana Glass Art Alliance.  In 2015 he took home the "People's Choice Award in Glass" at the 3rd Brea Clay and Glass Exhibit, in Brea CA. Messink has participated in numerous group shows around the country.