As someone from the disability community, I’m often let down by how our community is portrayed in comics and it is rare to see our struggle reflected accurately. A month or two ago on social media that shall not be named, I saw screenwriter Peter Warren talking about his new comics project The Tin Can Society dropping right now from Image Comics on Rick Remender’s Giant Generator Imprint, where he’s using a sensitivity reader to help with the portrayal of the main protagonist tech mogul and superhero Johnny Moore. It has become common for writers to enlist a little help to make sure they are sensitive to the challenges of different marginalized groups, something I’m wholeheartedly in favor of, so I reached out to Peter and sensitivity reader Gianna Marie to hear more about this unique type of collaboration and what exactly it entails.

I was quite impressed with the Tin Can Society when I picked it up. Issues one and two are out on shelves now so make sure to snag yourself a copy.

From the publisher

The first stunning issue of a brand-new miniseries from Giant Generator showcasing the first comics work by screenwriter and incredible talent PETER WARREN (The Incal feature film, Kill Me) with jaw-dropping art by FRANCESCO MOBILI (X-Men, SCUMBAG) and beautifully colored by CHRIS CHUCKRY (New X-Men, Gen 13).

Johnny Moore is a world-famous tech mogul known as much for his work pioneering mobility aids for people with disabilities (like himself) as he is for moonlighting as the metal-suited vigilante, CALIBURN. But when Johnny is found murdered and his suit stolen, his estranged childhood best friends reunite to solve the mystery of his murder.

THE TIN CAN SOCIETY is a heartfelt and human look at the evolution of friendships across a lifetime, at disability and ableism, and the destructive power of fame.

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