Clint Bentley and Adolpho Veloso on collaborating with nature in 'Train Dreams'

From secrets to sequels: Simon Cellan Jones on 'The Family Plan 2'

‘There Was, There Was Not’ director Emily Mkrtichian in the warzone of erasure

Seamus McGarvey on reshaping light and vision in 'Die My Love'

We Need to Talk About Emmy #28: Mike Makowsky on the irony of tragic events in ‘Death by Lightning’

Cherien Dabis bears witness across generations in 'All That's Left of You'

John-Michael Powell sculpts violence in 'Violent Ends'

Sailing towards compassion, with the co-directors of 'Largo'

We Need to Talk About Emmy #27: Cooper Raiff is a kid at heart in ‘Hal & Harper’

‘Anino’ director M.G. Evangelista on genre and identity

We Need to Talk About Emmy #26: Mattias Nyberg on the subjectivity of 'The Girlfriend'

Mercedes Bryce Morgan & Nick Matthews navigate the twisted waters of 'Bone Lake'

Alexander Dynan on visualizing sound and time in 'The History of Sound'

Building bridges in Brooklyn, with ‘All God’s Children’ director Ondi Timoner

Policing Your Feelings: Carmen Emmi on the emotional depth of ‘Plainclothes’

The soundscape of the supernatural, with 'Rabbit Trap' director Bryn Chainey

Shaking up the future, with 'Happyend' cinematographer Bill Kirstein

Anu Valia on the many layers of 'We Strangers’

Director Oliver Hermanus on how music shapes the story in ‘The History of Sound’

We Need to Talk About Emmy #25: Alex Disenhof on the art of character-driven action in 'Task'