“When my father passed, I wanted nothing more than my mother's happiness. For what kind of man would I be if I did not help my mother?”

Production designer Andrew McAlpine joins hosts Andy Nelson and Pete Wright to discuss Jane Campion's The Power of the Dog. Drawing from his extensive career including work on The Piano with Campion herself, McAlpine offers unique insights into the film's exploration of isolation, masculinity, and the psychological complexity of its characters. His perspective as both a fellow New Zealander and previous Campion collaborator brings fresh depth to this haunting Western drama.

McAlpine's journey from aspiring surgeon to art school graduate led him through theater, holography, and eventually to production design. His work spans diverse projects including Sid and Nancy, Clockers, The Beach, and Aeon Flux. McAlpine approaches each film with an emphasis on authentic period detail while avoiding heavy-handed historical recreation, allowing the environment to serve the emotional truth of the story rather than mere accuracy.

The conversation explores how The Power of the Dog examines masculine isolation through Phil's character, drawing parallels to McAlpine's work on The Piano. He highlights the film's masterful use of landscape and architecture to amplify psychological tension, particularly through the imposing ranch house. The discussion delves into Peter's character complexity and the film's careful build toward its devastating conclusion. McAlpine offers fascinating insights into how Campion's direction creates space for both brutality and vulnerability in her characters.

🎬 Watch & Discover

• 🎥 Watch our conversation on YouTube!
• 👤 Meet production designer Andrew McAlpine: IMDb | Website
• 👼 Check out ArtAngel
• 🍿 Watch the Film: Apple TV | Amazon | Letterboxd
• 📽️ Original Theatrical Trailer
• 📚 Adapted from The Power of the Dog by Thomas Savage

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