Why is it that some improvisers avoid playing with an older improviser, or when they do get to play with them, they make them their grandparents? Given some of the most famous, gifted improvisers who sell out shows are over the age of 60, why do peculiar attitudes around age still exist in our art form?

This episode you hear from:

Kathy Rinaldi - ImprompTwo, Sarasota, Florida

Shaun Landry - The Ledge Theatre, LA

The u3a group, Market Harborough, UK

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