Birger Clausen, the composer, is one of my closest collaborators, most recently on the two-time Emmy nominated (including for music and sound) and RTS winning 9/11: Life Under Attack.

In this episode we talk about many things - the relationship with the composer, mood and storytelling, the use of specific effects and the avoidance of cliche, trends in the industry and even the impact of Artificial Intelligence.

But, in this episode, it struck me that a key aspect was understanding the reality of giving up creative control. As a director, not a composer, you are relying on someone else's taste and texture. And in many ways, giving too much advice can be counterproductive. 

In this podcast, I tried to understand the composer's mind - how he or she thinks. Of course, I added a fair amount of music so you can hear the impact of various styles and approaches and the solutions composers and directors reach for their soundtracks.

The power of music to shape film narratives is at the heart of our discussion, and we explore the impact of simple motifs and the collaborative dance between director and composer. Hear how Birger, along with greats like Oscar-winner Volker Bertelmann in 'All Quiet on the Western Front', use music to convey emotions and cultural themes and enhance storytelling. 

We dissect the use of musical themes, the versatility of instruments, and even how a historical harmonium can encapsulate the brutality of war. The discussion shifts to the intricacies of genre-specific composing, highlighting the balance between innovation and meeting genre expectations.

You might hear me searching to understand a form I love - music - but one I have never been inside of; the act of music creation and its power to invoke an emotion. 

Of course,  feel free to get in contact with me if you'd like me to elaborate or be clearer about what I'm searching for.

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Incidental music composed by Birger Clausen