So Long, Farewell, and Hello Again: The Sound of Music at 60 in 4K with Angela Cartwright and Debbie Turner
Update: 2025-09-24
Description
There are few cinematic institutions as universally beloved, and as gleefully memed, as The Sound of Music. It’s less a movie than a rite of passage. It's the kind of thing that gets piped into our cultural bloodstream right alongside birthday cake and the Pledge of Allegiance. Julie Andrews twirling on an Alpine hilltop has become shorthand for everything from joy to irony to “please don’t email me again.” And yet, beneath the memes and the parody sketches, the movie still hums with the earnest sweetness that’s kept it alive for sixty years.
The whole enterprise began modestly enough, with Maria von Trapp’s 1949 memoir, The Story of the Trapp Family Singers. Rogers and Hammerstein then worked their musical alchemy on it in 1959, turning a nun’s résumé into Broadway gold. By 1965, Hollywood had its hands on the story, and Robert Wise, already the man behind West Side Story and The Day the Earth Stood Still, was sending Julie Andrews and Christopher Plummer scampering across Nazi-occupied Austria with seven cherubic children and an arsenal of show tunes.
Since then, it’s been impossible to escape. The film has taught generations how to sol-fa and spin in a meadow until dizzy. It’s aired annually on network television, been ritualized in sing-along screenings, and weaponized in family road trips when someone inevitably belts “Do-Re-Mi” off-key. There’s a reason why every decade rediscovers the film. It’s the rare piece of pop culture that is both syrupy and subversive, sweet as strudel but sharp enough to remind us that Nazis are bad, and love (plus a few good harmonies) will outlast them.
This year marks the film’s diamond jubilee, which means a sparkling 4K restoration, pristine enough to make you notice the embroidery on Maria’s curtains before she scissors them into play clothes. It also means a brief theatrical re-release, a kind of cultural spa day for those of us who haven’t seen Julie Andrews at full IMAX twirl in our lifetimes.
To toast the milestone, Angela Cartwright (Brigitta von Trapp) and Debbie Turner (Marta von Trapp) returned to share stories from the set. It's those whispered, behind-the-scenes tales that never made it into the Blu-ray extras. Their anecdotes prove what we suspected all along, in that the making of The Sound of Music was itself something of a family affair, filled with mischief, warmth, and enough laughter to echo across six decades.
So, yes. Pour yourself a glass of Riesling, practice your yodel, and let the hills be alive once more. Nazis can still suck it, and as for us, we’ll keep twirling, sixty years later, like we never left that mountaintop.
The whole enterprise began modestly enough, with Maria von Trapp’s 1949 memoir, The Story of the Trapp Family Singers. Rogers and Hammerstein then worked their musical alchemy on it in 1959, turning a nun’s résumé into Broadway gold. By 1965, Hollywood had its hands on the story, and Robert Wise, already the man behind West Side Story and The Day the Earth Stood Still, was sending Julie Andrews and Christopher Plummer scampering across Nazi-occupied Austria with seven cherubic children and an arsenal of show tunes.
Since then, it’s been impossible to escape. The film has taught generations how to sol-fa and spin in a meadow until dizzy. It’s aired annually on network television, been ritualized in sing-along screenings, and weaponized in family road trips when someone inevitably belts “Do-Re-Mi” off-key. There’s a reason why every decade rediscovers the film. It’s the rare piece of pop culture that is both syrupy and subversive, sweet as strudel but sharp enough to remind us that Nazis are bad, and love (plus a few good harmonies) will outlast them.
This year marks the film’s diamond jubilee, which means a sparkling 4K restoration, pristine enough to make you notice the embroidery on Maria’s curtains before she scissors them into play clothes. It also means a brief theatrical re-release, a kind of cultural spa day for those of us who haven’t seen Julie Andrews at full IMAX twirl in our lifetimes.
To toast the milestone, Angela Cartwright (Brigitta von Trapp) and Debbie Turner (Marta von Trapp) returned to share stories from the set. It's those whispered, behind-the-scenes tales that never made it into the Blu-ray extras. Their anecdotes prove what we suspected all along, in that the making of The Sound of Music was itself something of a family affair, filled with mischief, warmth, and enough laughter to echo across six decades.
So, yes. Pour yourself a glass of Riesling, practice your yodel, and let the hills be alive once more. Nazis can still suck it, and as for us, we’ll keep twirling, sixty years later, like we never left that mountaintop.
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