Steve Toltz on writing fear, Here Goes Nothing, and nailing why we do what we do
Update: 2022-06-20
Description
Featuring: Steve Toltz's new book Here Goes Nothing and why it’s set in the afterlife; using time in the writing process like a painter uses light; Steve’s spiritual home; juggling editorial notes from different countries; the overarching project of Steve’s work; a short reading; on writing humour and hilarious characters (who are also very entertaining to write); his experience in writers' rooms, how Steve first got an agent; his play that didn't eventuate; what's next and some wonderful reading recommendations.
‘A writer uses time like a painter uses light - without time you can’t even see what it is that you’ve done.’
‘Years go by without ever showing anyone a word…I get it as good as I can possibly get it without burying it in the garden for six months'
‘I don’t feel like I’ve ever really been in a literary world that much’
On editorial notes: ‘There’s always the clear understanding that you can take them or leave them...I end up always taking about 80% of the notes because they’re always generally great.'
‘A writer uses time like a painter uses light - without time you can’t even see what it is that you’ve done.’
‘Years go by without ever showing anyone a word…I get it as good as I can possibly get it without burying it in the garden for six months'
‘I don’t feel like I’ve ever really been in a literary world that much’
On editorial notes: ‘There’s always the clear understanding that you can take them or leave them...I end up always taking about 80% of the notes because they’re always generally great.'
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