Strategic Use of Out-of-Key Chords
Description
Today Iβm going to talk about the importance of planning where to use your out-of-key materials, in this case, harmonic materials.
π΅ Mastering The Art Of Harmonizing Melodies β
β https://courses.beyondmusictheory.org/b/IN1icβ
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π₯ Beyond Music Theory Blog - β https://www.beyondmusictheory.org/blog/β
π΅ Music Coaching - β https://www.beyondmusictheory.org/coaching/β
π΅ Online Music Courses - https://courses.beyondmusictheory.org/β
π Beyond Music Theory eBook -
β https://courses.beyondmusictheory.org/b/5rWG
Supporting Links:
π - https://www.beyondmusictheory.org/dominant-chord-substitutions/
π - https://www.beyondmusictheory.org/secondary-dominants/
π - https://www.beyondmusictheory.org/chromatic-harmony/
π - https://www.beyondmusictheory.org/chromatic-approach-chords/
π - https://www.beyondmusictheory.org/8-practical-ways-of-using-parallel-chord-motion-in-your-music/
π - https://www.beyondmusictheory.org/harmonic-ambiguity-and-the-flexibility-of-suspended-chords/
π - https://www.beyondmusictheory.org/harmonic-creativity-the-role-of-bass-in-voice-leading-exploration/
π - https://www.beyondmusictheory.org/how-to-harmonize-a-melody/