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In part three of the podcast’s series exploring the work of the extraordinary UK band Prefab Sprout, I am joined by Atlanta-based critic and theatre scholar Brice Ezell to discuss the band's most commercially successful album: 1988’s From Langley Park to Memphis.

Following the critical acclaim of Steve McQueen, frontman Paddy McAloon aimed for a glossy, broadly commercial sound this time. With full label support, no expense was spared on production, a sweeping, cinematic soundscape that blends sophisticated synthesizers and polished studio techniques with full orchestration, gospel choirs, and even a guest appearance from Stevie Wonder.

Heavily influenced by Barbra Streisand’s The Broadway Album, McAloon goes full Theatre Kid on this record. The project employed multiple producers (including the returning Thomas Dolby) and experimented across genres from arena rock to Broadway show tunes and adult contemporary. This approach generated two enduring UK radio hits: “The King of Rock ’n’ Roll” (their only Top Ten single) and “Cars and Girls” (a subtle critique of Bruce Springsteen’s persona).

Brice and I dive deep on Langley Park, offering track-by-track analysis. We explore the album's surprising global footprint, tracing its influence from Norwegian singer-songwriters to Japanese City Pop, anime scores, and video game music. And we zero in on the album's central theme: an epic statement where Paddy deconstructs the American mythmaking machine from the vantage point of Northeast England, all while processing his band’s sudden success and grappling with an uncertain future.

My thanks to the Sproutology website, the ultimate online resource for the band.

Follow Brice Ezell on Bluesky.

The King of Rock ’n’ Roll - from the Dutch music show TopPop, 1988

Nightingales - Paddy McAloon on piano, from KCRW, 1988

Mashup of Prefab Sprout’s Knock on Wood and a track from the Japanese anime High School Aura Buster.