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Being a longevous, ‘real deal’ music artist requires many things, but being pure in heart is certainly one. And there are few people on this earth as pure in heart as Rickie Lee Jones. 

With the completion of Last Chance Texaco in 2019 (her brilliantly evocative and critically revered addition to the vast ‘rock memoir’ library) Rickie Lee permitted herself to look back to those early days and draw new inspiration from them. 

“Before I finished that book, I was burdened, but when it was done I began to shed my fears. I am 68 years old and you cannot scare me any more”.

The resulting first studio album release since then is Pieces Of Treasure, Rickie Lee’s versions of a selection of American songbook classics including Nature Boy, September Song, Sunny Side of the Street and no less than two iconic Sinatra numbers. The success of this album is in the way Rickie Lee finds her way to occupy these well-travelled songs.

But, this being The Art of Longevity, I want to know about the bad times as well as the good. And Rickie Lee Jones has had more than her fair share of years in the wilderness. By her 90s records (Pop Pop, Traffic From Paradise and Ghostyhead ) Rickie Lee’s career showed the classic curve for established artists, of high critical acclaim but steadily reduced commercial success. 

Even after a minor resurgence in the 2000s (beginning with the superb Evening Of My Best Day), a further decade of being largely forgotten left Rickie Lee broke and unable to find a record label to release new music. How did she get through that time?

“I thought, maybe this was payment for having so much success so fast. It’s a kids game and there are many many new young artists coming up at any time. The thing is to teach the audience that you are not just a pop artist but that you are a real musician”.

We listeners, have a lot to learn!

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