The Hound of the Baskervilles: Justice and Pleasure in the Mystery Story

The Hound of the Baskervilles: Mystery Writing and the Uncanny

The Hound of the Baskervilles: More about Character in the Mystery Genre

The Hound of the Baskervilles: Epistemology, or Dealing with the Dreaded Info Dump

The Hound of the Baskervilles: Establishing Character through Dialog, Part II

The Hound of the Baskervilles: How to Establish Character through Dialog

The Secret Agent: Did Conrad Screw Up the Ending?

The Secret Agent: Knowing When to Drag Things Out

The Secret Agent: Creating Tension through Structure

The Secret Agent: Writing The Horror! The Horror!

The Secret Agent: Characterization and the Omniscient Point of View

The Secret Agent: Starting Off with a Bell

The Brothers Karamazov: The End of BK vs. the Last Episode of Lost

The Brothers Karamazov: In Praise of Brain Fever and the Devil

The Brothers Karamazov: How to Make Children Interesting

The Brothers Karamazov: Characters Behaving Irrationally

The Brothers Karamazov: Physical Gesture in Fiction

The Brothers Karamazov: On Killing Your Darlings and Letting Them Rot

The Brothers Karamazov: Depression as Plot Driver

The Brothers Karamazov: The Grand Inquisitor, or Creating a Truly Great Story-within-a-Story