The Convert director Ola Ince rejoins us to talk about her latest YV show and Tina the Musical
Update: 2019-01-04
Description
Director of Danai Gurira's The Convert, Ola Ince joins us as the first director to return to our tiny recording studio.
We caught up on the very busy two and a half years Ola has had since she was last on Off Book where she spoke about her Genesis show, The Dutchman by Amiri Baraka.
Naturally, Dan and Ola talk about the current YV main house show, The Convert based in what is now Zimbabwe in the late 1800s. Ola talks about how Gurira's text explores what it means to indoctrinate and colonise people and discusses how the creative team and cast work with the audience's big reactions to the show.
We cover Ola's time spent as Associate Director for Tina the Musical and the development of 2017's Start Swimming with James Fritz and the YV's Taking Part team.
Ola also talked to Dan about her recent Royal Court production Poet in Da Corner, a grime musical featuring Debris Stevenson and how they wanted to ensure they represented Grime as an art form, as well as broadly how power is addressed and feeds into to lots of Ola's recent work and the age old saying "the show must go on".
We caught up on the very busy two and a half years Ola has had since she was last on Off Book where she spoke about her Genesis show, The Dutchman by Amiri Baraka.
Naturally, Dan and Ola talk about the current YV main house show, The Convert based in what is now Zimbabwe in the late 1800s. Ola talks about how Gurira's text explores what it means to indoctrinate and colonise people and discusses how the creative team and cast work with the audience's big reactions to the show.
We cover Ola's time spent as Associate Director for Tina the Musical and the development of 2017's Start Swimming with James Fritz and the YV's Taking Part team.
Ola also talked to Dan about her recent Royal Court production Poet in Da Corner, a grime musical featuring Debris Stevenson and how they wanted to ensure they represented Grime as an art form, as well as broadly how power is addressed and feeds into to lots of Ola's recent work and the age old saying "the show must go on".
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